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Éditeur Prestel
localisé à Munich
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Affiner la recherche50 British artists you should know / Lucinda Dickens Hawksley
Titre : 50 British artists you should know Type de document : texte imprimé Auteurs : Lucinda Dickens Hawksley, Auteur Editeur : Munich : Prestel Année de publication : cop. 2011 Importance : 1 vol. (157 p.) Présentation : couv. ill. en coul., ill. en coul. Format : 25 cm ISBN/ISSN/EAN : 978-3-7913-4538-3 Langues : Anglais Catégories : Art -- Grande-Bretagne
Artistes anglaisIndex. décimale : 709.41 Résumé : This roll-call of British artists confirms the dominance and excellence of British art across five centuries, from Blake toBanksy, Turner to Tracey Emin. This highly readable and informative collection of the best of British art showcases magnificent portraits by Thomas Gainsborough and Stanley Spencer; landscapes by J. M. W. Turner and David Hockney; satire by William Hogarth and Gilbert & George; sculpture by Henry Moore and Rachel Whiteread; and the latest works by Grayson Perry and Damien Hirst. Each artist is presented in a double-page spread that features a major work, details from the work, a brief biography and fascinating insights into the artist's life and times. Lucinda Hawksley's engaging survey compares the skill of the Elizabethan miniaturists and the magnificence of the High Victorians with the grit of post-war British modernists and the best of the Young British Artists, whose fearless approach to controversial themes make them worthy inheritors of the great traditions of British art. 50 British artists you should know [texte imprimé] / Lucinda Dickens Hawksley, Auteur . - Munich : Prestel, cop. 2011 . - 1 vol. (157 p.) : couv. ill. en coul., ill. en coul. ; 25 cm.
ISBN : 978-3-7913-4538-3
Langues : Anglais
Catégories : Art -- Grande-Bretagne
Artistes anglaisIndex. décimale : 709.41 Résumé : This roll-call of British artists confirms the dominance and excellence of British art across five centuries, from Blake toBanksy, Turner to Tracey Emin. This highly readable and informative collection of the best of British art showcases magnificent portraits by Thomas Gainsborough and Stanley Spencer; landscapes by J. M. W. Turner and David Hockney; satire by William Hogarth and Gilbert & George; sculpture by Henry Moore and Rachel Whiteread; and the latest works by Grayson Perry and Damien Hirst. Each artist is presented in a double-page spread that features a major work, details from the work, a brief biography and fascinating insights into the artist's life and times. Lucinda Hawksley's engaging survey compares the skill of the Elizabethan miniaturists and the magnificence of the High Victorians with the grit of post-war British modernists and the best of the Young British Artists, whose fearless approach to controversial themes make them worthy inheritors of the great traditions of British art. Réservation
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Code-barres Cote Support Localisation Section Disponibilité 018483 709.41 HAW Livre Médiathèque Fonds général Disponible Disappearing – California, c. 1970 / Philipp Kaiser
Titre : Disappearing – California, c. 1970 : [exposition, Modern Art Museum of Fort Worth, Texas, États-Unis, Mai 2019 - Août 2019] Type de document : texte imprimé Auteurs : Philipp Kaiser, Directeur de publication, rédacteur en chef ; Marlaz Price, Auteur Editeur : Munich : Prestel Année de publication : 2019 Importance : 160 p. ISBN/ISSN/EAN : 978-3-7913-5854-3 Langues : Français Catégories : Ader, Bas Jan (1942-1975)
Burden, Chris (1946-2015)
Goldstein, Jack (1945-2003)Mots-clés : disparition Résumé : In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art. Disappearing – California, c. 1970 : [exposition, Modern Art Museum of Fort Worth, Texas, États-Unis, Mai 2019 - Août 2019] [texte imprimé] / Philipp Kaiser, Directeur de publication, rédacteur en chef ; Marlaz Price, Auteur . - Munich : Prestel, 2019 . - 160 p.
ISBN : 978-3-7913-5854-3
Langues : Français
Catégories : Ader, Bas Jan (1942-1975)
Burden, Chris (1946-2015)
Goldstein, Jack (1945-2003)Mots-clés : disparition Résumé : In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art. Réservation
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Code-barres Cote Support Localisation Section Disponibilité 018833 707.4 FOR 2019 Catalogue Médiathèque Fonds général Disponible Masculinities / Alona Pardo
Titre : Masculinities : liberation through photography ; [exposition itinérante, Europe, 2020-2021] Type de document : texte imprimé Auteurs : Alona Pardo, Directeur de publication, rédacteur en chef ; Barbican art gallery, Collectivité éditrice ; Martin-Gropius Bau, Collectivité éditrice Editeur : Munich : Prestel Année de publication : 2020 Autre Editeur : Londres : Barbican centre Importance : 1 volume (319 p.) Présentation : ill. en coul. et noir, couv. ill. Format : 32 cm ISBN/ISSN/EAN : 978-3-7913-5951-9 Note générale : Lieux de l'exposition: Londres, Barbican Art Gallery, 20 février - 17 mai 2020; Arles, Les Rencontres de la Photographies, 29 juin-20 septembre 2020; Berlin, Gropius-Bau, 16 octobre 2020-10 janvier 2021 Langues : Anglais Catégories : Catalogues d'exposition
Masculinité
Photographie -- 20e siècleRésumé : This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists--Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex--explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle P?erez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity. Masculinities : liberation through photography ; [exposition itinérante, Europe, 2020-2021] [texte imprimé] / Alona Pardo, Directeur de publication, rédacteur en chef ; Barbican art gallery, Collectivité éditrice ; Martin-Gropius Bau, Collectivité éditrice . - Munich : Prestel : Londres : Barbican centre, 2020 . - 1 volume (319 p.) : ill. en coul. et noir, couv. ill. ; 32 cm.
ISBN : 978-3-7913-5951-9
Lieux de l'exposition: Londres, Barbican Art Gallery, 20 février - 17 mai 2020; Arles, Les Rencontres de la Photographies, 29 juin-20 septembre 2020; Berlin, Gropius-Bau, 16 octobre 2020-10 janvier 2021
Langues : Anglais
Catégories : Catalogues d'exposition
Masculinité
Photographie -- 20e siècleRésumé : This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists--Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex--explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle P?erez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity. Réservation
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Code-barres Cote Support Localisation Section Disponibilité 019772 707.4 BAR 2020 Catalogue Médiathèque Fonds général Disponible