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Athena Herself / Gabrielle Le Bayon
Titre : Athena Herself : Gabrielle le Bayon Type de document : texte imprimé Auteurs : Gabrielle Le Bayon, Auteur ; Myrto Katsimicha, Auteur Editeur : Bourges : La Box - Ecole nationale supérieure d'art de Bourges Année de publication : 2017 Importance : 128 p. Format : 24 cm ISBN/ISSN/EAN : 979-10-699-0551-1 Langues : Anglais Grec moderne Catégories : Athènes (Grèce ; agglomération)
Bayon (le), Gabrielle (1981-....)
MytheRésumé : Myth brings us back to the social history of a physical place, questioning its power in our ever-uncertain present. Drawing inspiration on the one hand from the historic and mythical past so much embedded in the life of Athens, as well as from the reality of an urban setting, ‘Athena Herself’ depicts a journey in quest for “Athena” –the goddess and guardian of the city. Through a series of photographs taken in Athens, ‘Athena Herself’ looks for traces of bodily positions and movements from the Greek goddess rooted in the city that bears her name. It isn’t about looking for the traces of Athena's glorious worship, temples and statues; but the survival of Athena's features and memory, the joint movement with other figures that would be embodied in other female faces, photographed in the streets of Athens. In other words, it is a reflection on the ways representation is constructed within society. Athena Herself : Gabrielle le Bayon [texte imprimé] / Gabrielle Le Bayon, Auteur ; Myrto Katsimicha, Auteur . - Bourges : La Box - Ecole nationale supérieure d'art de Bourges, 2017 . - 128 p. ; 24 cm.
ISBN : 979-10-699-0551-1
Langues : Anglais Grec moderne
Catégories : Athènes (Grèce ; agglomération)
Bayon (le), Gabrielle (1981-....)
MytheRésumé : Myth brings us back to the social history of a physical place, questioning its power in our ever-uncertain present. Drawing inspiration on the one hand from the historic and mythical past so much embedded in the life of Athens, as well as from the reality of an urban setting, ‘Athena Herself’ depicts a journey in quest for “Athena” –the goddess and guardian of the city. Through a series of photographs taken in Athens, ‘Athena Herself’ looks for traces of bodily positions and movements from the Greek goddess rooted in the city that bears her name. It isn’t about looking for the traces of Athena's glorious worship, temples and statues; but the survival of Athena's features and memory, the joint movement with other figures that would be embodied in other female faces, photographed in the streets of Athens. In other words, it is a reflection on the ways representation is constructed within society. Réservation
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