| Titre : | Disappearing – California, c. 1970 : [exposition, Modern Art Museum of Fort Worth, Texas, États-Unis, Mai 2019 - Août 2019] | | Type de document : | texte imprimé | | Auteurs : | Philipp Kaiser, Directeur de publication, rédacteur en chef ; Marlaz Price, Auteur | | Editeur : | Munich : Prestel | | Année de publication : | 2019 | | Importance : | 160 p. | | ISBN/ISSN/EAN : | 978-3-7913-5854-3 | | Langues : | Français | | Catégories : | Ader, Bas Jan (1942-1975)
Burden, Chris (1946-2015)
Goldstein, Jack (1945-2003)
| | Mots-clés : | disparition | | Résumé : | In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art. |
Disappearing – California, c. 1970 : [exposition, Modern Art Museum of Fort Worth, Texas, États-Unis, Mai 2019 - Août 2019] [texte imprimé] / Philipp Kaiser, Directeur de publication, rédacteur en chef ; Marlaz Price, Auteur . - Munich : Prestel, 2019 . - 160 p. ISBN : 978-3-7913-5854-3 Langues : Français | Catégories : | Ader, Bas Jan (1942-1975)
Burden, Chris (1946-2015)
Goldstein, Jack (1945-2003)
| | Mots-clés : | disparition | | Résumé : | In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art. |
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