Titre : | Sophie Taeuber-Arp, Living Abstraction | Type de document : | texte imprimé | Auteurs : | Anne Umland, Directeur de publication, rédacteur en chef ; Walburga Krupp, Directeur de publication, rédacteur en chef | Editeur : | Basel : Kunstmuseum | Autre Editeur : | New York : MOMA | Importance : | 1 vol. (352p.) | Présentation : | ill. en couleur | Format : | 26 cm | ISBN/ISSN/EAN : | 978-1-63345-107-0 | Langues : | Anglais | Catégories : | Abstraction Art -- 20e siècle
| Résumé : | Sophie Taeuber-Arp (1889–1943) was one of the most multitalented of modern artists, creating profoundly innovative work across many disciplines. This exhibition traces her career’s trajectory: from applied arts teacher, participant in the Dada movement, and maker of textiles and objects; to designer of murals, stained glass windows, furniture, interiors, and buildings; to painter-sculptor, magazine editor, and early champion of geometric abstraction. For Taeuber-Arp, abstraction was always connected to an everyday lived reality in which objects were to be used and manipulated, spaces to be moved about in, and artworks to be looked at and experienced...[Résumé de l'éditeur] |
Sophie Taeuber-Arp, Living Abstraction [texte imprimé] / Anne Umland, Directeur de publication, rédacteur en chef ; Walburga Krupp, Directeur de publication, rédacteur en chef . - Basel : Kunstmuseum : New York : MOMA, [s.d.] . - 1 vol. (352p.) : ill. en couleur ; 26 cm. ISBN : 978-1-63345-107-0 Langues : Anglais Catégories : | Abstraction Art -- 20e siècle
| Résumé : | Sophie Taeuber-Arp (1889–1943) was one of the most multitalented of modern artists, creating profoundly innovative work across many disciplines. This exhibition traces her career’s trajectory: from applied arts teacher, participant in the Dada movement, and maker of textiles and objects; to designer of murals, stained glass windows, furniture, interiors, and buildings; to painter-sculptor, magazine editor, and early champion of geometric abstraction. For Taeuber-Arp, abstraction was always connected to an everyday lived reality in which objects were to be used and manipulated, spaces to be moved about in, and artworks to be looked at and experienced...[Résumé de l'éditeur] |
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